Archive for January, 2006

Christian music singers

Christian music singers are sought in talent contest

Area residents will soon have a chance to sing for the chance to become a Christian music solo star.

On Feb. 4, the “Gifted” talent search arrives at Faith Family Church on East Mockingbird Lane.

The TV show will be hosted by the Backstreet Boys’ Brian Littrell and broadcast in March on the Trinity Broadcasting Network, according to the Associated Press.

The show’s producer, Philip McIntyre, said “Gifted” would be a two-hour TV special but that the show may evolve into a full 12-episode season.

Though Littrell won’t be visiting Victoria, videos of chosen contestants will be sent to the show’s producers in L.A for further selection, said Casey Urwin, the coordinator of the talent search at Faith Family Church.

Urwin said contestants can sign in at Faith Family Church from 8 to 11 a.m. on Feb. 4. After signing in, the singers will go through an initial round where they will select one of 10 different hymns to sing a cappella for 30 seconds before one of four judges.

The hymns include “Amazing Grace,” “How Great Thou Art,” and “Jesus Loves Me.”

The contestants who aren’t eliminated during round one will stay for another round in the afternoon before all four judges. Videos of the judges’ final selections will be sent on to the show’s producers, Urwin said.

Local winners will advance to regional contests where eight finalists will be chosen. Those eight will appear on the television show before a panel of celebrity judges.

The overall winner will receive a major-label recording contract and career management services by Wright Entertainment Group. The Wright Entertainment Group also works with the Backstreet Boys, ‘N Sync, Justin Timberlake, P. Diddy, Boys II Men and Janet Jackson.

In addition to the recording contract, a $10,000 donation will be made to the church where the winner first auditioned.

“I’m excited about the fact that they are finally doing a show that allows people who want to pursue Christian music a chance to make it in the industry and be discovered,” Urwin said. “It doesn’t matter where you live, your dreams are attainable.”

Mount Zion Baptist Church

Color-coded Christians ? - The Rev. Martin Luther King Jr. called 11 o’clock Sunday morning the most segregated hour in America. It still is.

For all the gains in social justice in the decades since King died, local clergy say, black and white Christians mostly still worship separately.

“Sunday morning is still the most segregated time in the nation,” said Rick Jones, pastor of Mount Zion Baptist Church, 2019 Fisher St., on Madison’s south side.

Jones was joined by other local clergymen on Sunday, the eve of Martin Luther King Jr. Day, in an ecumenical service celebrating King’s legacy. It was an effort to bridge the divide in Madison.


Photo by Michelle Stocker/The Capital Times
Carola Gaines leads the Adult Choir Sunday night at Mount Zion Baptist Church.

“There’s only one rule at Mount Zion: Glorify God,” Jones said as the service began. “You can jump up, you can run down the aisle, you can sing loud, as long as you praise God.”

By the end of the service, the pastors were vowing to continue to work to make their coming together transformational for the community.

Alex Gee, pastor of Fountain of Life Family Worship Center, 633 West Badger Road, told those assembled that true diversity is more than a one-shot deal.

“It takes more than singing ‘Kumbayah’ and smiling at people you won’t talk to the rest of the year,” Gee told the group.

“You have to do service together - to all the poor, all the hungry, all the homeless, all the dejected, all the things that need to done in this wonderful land of Oz we call Madison, Wis.”

It may take more than good will and good works to break down the segregation of Sunday morning.

Rev. Mary Pharmer is pastor of St. Mark’s Lutheran Church, 605 Spruce St., not far from Mount Zion.

She said in an interview that her church tries to reach out to its mixed-race neighborhood and is pretty well integrated by race or economic class in parts of its ministry - the food pantry, the community meal, a program helping ex-offenders re-enter life on the outside.

But on Sunday morning, the people in the pews are nearly all white. Pharmer said she can understand why.

“Racism is institutionalized in government, schools and the church. If on Sunday morning someone doesn’t want to go through the gauntlet of racism, I completely understand.

“As someone in a privileged majority, I don’t think we know what it’s like to have the release of being a worshipper with someone with whom we share common experience,” she said.

Rev. Gregory Armstrong’s church was forged in a rebellion against the segregation of African-Americans in the Methodist church in Philadelphia, back in 1787.

Scholars say that African-American worship practices - call-and-response, rhythmic movement, jumping, dance, weeping, groaning and shouting - annoyed the church’s white leaders.

The Methodist roots of the African Methodist Episcopal (AME) Church convey a “dignified” flavor to the worship services of the traditionally black denomination, Armstrong, pastor of SS Morris AME, 3511 Milwaukee St., said in an interview.

“Methodists don’t demonstrate a whole lot of emotion,” Armstrong said. “They don’t tap their feet, they don’t clap their hands, they don’t say ‘Amen.’ The Baptists do.”

But the AME church is changing, he said. “We are feeling compelled by the Holy Spirit to demonstrate our religiosity more than perhaps some of our ancestors did.”

Armstrong’s ideas about what Sunday mornings should look and sound like still steer people toward one church and away from another.

“Some of us do have different expectations of worship and some of them are cultural,” said the Rev. Curt Anderson, pastor of First Congregational United Church of Christ, 1609 University Ave.

But worship style doesn’t always correlate with ethnicity - or politics, he said.

Anderson preaches before a banner that reads “Embracing Diversity Among God’s People,” but acknowledges that there are few ethnic or racial minorities among the church’s members.

Congregationalists have a long history of fighting discrimination against racial minorities and women, and in recent years the priority at First Congregational has been to embrace lesbian and gay members.

“I think it is the desire in our church for relationship with churches and Christians who are different from us in a whole variety of ways,” Anderson said. “In some situations, we don’t know how to go about it, frankly.”

Is a diverse congregation needed if diversity is the creed? “What matters is if our separateness in church leads to other kinds of separateness,” Anderson said. “So much of our lives are separate and there are very few places to interact with people from a different culture.”

At Second Baptist Church, 4303 Britta Parkway, the sign of peace that worshippers share is no mere handshake. It’s a full-out embrace.

“Ask God for them what you would ask for yourself,” Pastor Donald S. Moss entreated one recent Sunday.

“May God change your life,” a young woman whispered as she embraced a visitor.

Sisters and brothers joined the choir in “Jesus Is on the Main Line, Tell Him What You Want.”

“God is getting ready to do something to you!” Moss called out. “It’s going to happen so fast, you won’t see it coming.”

Cries of joy broke out from the group. Hands were lifted in praise. Tears flowed. “Jesus,” a woman called out. “Jesus!”

In a later interview, Moss said that the congregation is trying to draw a more diverse membership. “I believe every person has an ability that others do not have … we’re all here to help each other,” he said.

The spirit rises to the rafters at James C. Wright Middle School on Sundays when Fountain of Life takes over the gymnasium.

“If you know the Lord got you up today, put your hands together!” an impassioned Gee implored in a recent service.

The music here is contemporary gospel spiced with hip-hop. “Mighty God, Mighty God, Yes You Are a Mighty God,” the mostly African-American group sang as lyrics rolled on screens at the corners of the gym.

Gee has worked to attract a diverse membership. A recent survey counted 58 percent African-American members, with significant numbers of Asians and Caucasians, he said in an interview.

“It takes endurance, patience and grace,” he said of building a rainbow congregation.

Worshipping together helps people build more natural relationships than, say, the workplace. “It erases people’s ability to hold stereotypes,” Gee said.

The pastor hopes whites know it’s wrong to think “that this is our asylum and whites are not welcome.” He challenged the majority whites to be the ones to cross the threshold and enter an experience outside their comfort zone.

“Blacks have to get up and do it every single day,” he said. “Most whites don’t know what it feels like to be outnumbered.”

Chris Godar is one of those whites who crossed the threshold. He wanted a glimpse of God in an image unlike that he had envisioned growing up in the United Church of Christ. And he found what he was looking for at Fountain of Life.

“The freedom to worship God however you felt led was wonderful. It affirmed that part of my personality in a way my culture never did,” he said in an interview.

But both his and his wife’s parents seem uncomfortable with the style of the services when they visit, he said.

And, committed as they are, the Godars face challenges, too. He recalled having to choose to sit with whites or “people who didn’t look like us” at a picnic. “We chose the second. But it wasn’t easy.”

Yet, stepping out of a culture where he knew all of the expectations to one where he knew none has helped him grow. “I had to figure out who I actually am,” Godar said.

“When we open ourselves up, we make ourselves vulnerable, and that’s an intimate experience,” he said.

Everlene Harris is among a growing number of African-Americans finding a spiritual home at the conservative Calvary Gospel Church, 5301 Commercial Ave., on Madison’s far east side.

“It’s been wonderful,” Harris said of the two years since she followed her husband to Calvary. “Coming out of an all-black church to a predominantly white one, I didn’t know what to expect. But there is not a color barrier here.”

Congregation members have been welcoming, she said, and willing to lend a hand. “If you have a need, it’s done.”

The contemporary evangelical music was different from what she had known, “but I got used to it.”

Pastor Richard Thomas said that Calvary had been “reaching out into the Section 8 community for five years” with little success in gaining members.

“We found out as we talked to people that we needed to make some changes that probably wouldn’t be recognized by Caucasians, but to people of a different color pick it up the moment they walk in the building,” Thomas said.

What changes? Putting people of color in leadership positions.

Also, Calvary, a United Pentecostal Church that can draw 700 to a Sunday worship service, has developed a Hispanic ministry, a ministry for the deaf, and a ministry for prisoners, who are transported to services each week.

Last week’s Wednesday night service included a preview of a national Christian simulcast designed to bring the local business community into the church.

“Some people have never had the opportunity to socially interact with different cultures there’s a certain aMt. of hesitancy,” Thomas said. “Not everyone is willing to reach out and shake the hand of a prisoner.”

On the far west side, a diverse congregation also is growing at High Point Church, 7702 Old Sauk Road, where evangelical Christians meet in a 1,100-seat modern sanctuary.

A trio of white, black and Asian women on a recent Sunday greeted visitors. A 35-voice choir, accompanied by a string section, piano and recorded music, led the congregation in contemporary Christian music and traditional Christmas carols.

The nondenominational service included a dramatic skit fully produced with scripted roles and stage lighting - on the presence of angels in everyday life.

Pastor Jeff Wegner said the church has drawn on its ministries helping the poor and homeless to attract more diverse members.

Many have only recently come to Madison. “There’s a wide variety of people who are part of our community now. They’re looking for ways to connect,” he said.

Bill Mugford is senior pastor at High Point, and a growing affinity with Mount Zion was plain in his remarks at Sunday’s ecumenical service.

“I pledge that you can call on me,” he told Mount Zion’s Jones. “We’ll work on some things together.”

Jones said the group was committed to hold an ecumenical service honoring King every year and to find ways for the congregations to work together.

“In a year, we’ll look back and realize what God has done through us,” Jones said.

Tonight’s program

Gloria Johnson-Powell, associate dean at the University of Wisconsin School of Medicine and Public Health, will be the featured speaker tonight at Madison’s annual commemoration of the life and legacy of civil rights leader Martin Luther King Jr.

Johnson-Powell was a student of civil rights hero James Lawson, and later became the first black female full professor at Harvard Medical School.

The 21st annual Dane County and City of Madison Martin Luther King Jr. Holiday Observance starts at 6 p.m. today at the Overture Center’s Capitol Theater, 201 State St.

Madison City Channel 12 will broadcast the event live.

The event will again feature the presentation of the annual city and county King awards presented by Madison Mayor Dave Cieslewicz and Dane County Executive Kathleen Falk.

Entertainment will be provided by the Martin Luther King Jr. Community Choir, led by noted local music director Leotha Stanley.
By Pat Schneider

Christians jump for Jesus

ON STAGE and in the mosh pit, it is all high-octane energy and infectious enthusiasm: more than 4000 clean-cut Christian kids, pogoing in unison, jumping for Jesus.

Australia’s national youth music festival, Big Day Out, plays up the road on Australia Day. But yesterday, in the Olympic Park Sports Centre, it was God’s Big Day Out.

It’s the opening session of the four-day Planetshakers conference and Sydney is third stop on a five-state tour billed as Australia’s largest annual gathering of Christian youth.

Think Planetshakers, think of a Hillsong conference with amps.

There’s a similar line-up of speakers, teachings and worship sessions but many in this stadium have barely won the right to vote.

The American preacher Reggie Dabbs takes to the stage for a sermon that sounds like no other. Interspersed with self-deprecating humour and music, coined Jesus Rap, his message is of inclusiveness, self sacrifice, living for others and self-motivation.

As the Australian film director Peter Weir once did in Dead Poet’s Society, Dabbs commandeers the Latin aphorism “carpe diem” and has his congregation chanting back, “Seize the day”.

Planetshakers is an offshoot of Adelaide’s Paradise Church, from which the Family First political party grew.

Like Hillsong, it is an Assemblies of God church, part of the growing Pentecostal movement. It is headed by the charismatic husband and wife team of Russell and Sam Evans and is rapidly building a congregation in Melbourne Town Hall based on high-energy praise and worship.

This is the second year the church, which says it has no local ambitions, has brought its road train to Sydney.

By the end of the month, more than 20,000 young Christians around the country will have moshed for Jesus.

As the mainstream churches struggle to engage youth, Pastor Evans believes communication is the key. He says he doesn’t push politics and didn’t invite any politicians.

“I think the church is beginning to speak the language of young people and; the churches that speak the language of the day, they are the churches that are growing.

“Young people relate to the music; they want a purpose in life, they want to be involved in a service; they don’t just want to be a spectator. There’s nothing wrong with tradition. It’s all about making that tradition speak to the younger generation.”

Helping this is the Planetshakers band, the former group of Guy Sebastian, which features Sam Evans as a vocalist, and reportedly sold 70,000 albums last year in the burgeoning Christian music market.

One of the band’s lead singers, Michael Guglielmucci, does not think there would be much crossover between his audience and that of a hard-rock festival.

“The secret is the message. We don’t just write songs. This is the heart cry of a generation.”

The rock anthems of love gone wrong and alcoholic binges don’t carry to an audience that is jumping “in the House of God”. Jump, Jump, Jump.

Christian rock band Casting Crowns

Tickets go on sale Friday for Christian rock band Casting Crowns, to play SBU on March 19

Casting Crowns

ST. BONAVENTURE, N.Y., Jan. 11, 2006 — “Are we happy plastic people/Under shiny plastic steeples/With walls around our weakness/And smiles to hide our pain/But if the invitation’s open/To every heart that has been broken/Maybe then we close the curtain on our stained glass masquerade.”

With bold questions like the ones above set to memorable melodies, songs like “Stained Glass Masquerade” leave no room for doubt that the platinum-selling, seven-piece youth ministry band Casting Crowns continues to challenge the Sunday morning status quo. The band will be headlining a Christian rock concert at St. Bonaventure University Sunday, March 19.

Tickets will go on sale at 10 a.m. Friday, Jan. 13, and will be priced as follows: Gold circle seating, first 15 rows on the floor – $40; Back section of the floor – $22; Blue seats – $25; Bleacher seating – $22; and upper-level red seats – $19. Also, groups of 10 may purchase red seats for $15 each. Tickets may be purchased in person at the Reilly Center Ticket Office, at all Tops Friendly Markets, by phone at (888) 223-6000 or online at tickets.com. For more information call the ticket office at (716) 375-2500. All seating is reserved.

“Casting Crowns’ music has captured the attention of not only modern Christian music fans, but across the musical spectrum, including the writers at Rolling Stone magazine,” said Steve Plesac, director of student activities at St. Bonaventure University. “We are excited to welcome the band and their fans, and we feel there could not be a better venue for this concert than St. Bonaventure University.”

Opening acts include music artists Nichole Nordeman and Josh Bates, and guest speaker Tony Nolan. Only 12 weeks after its Aug. 30, 2005, release, “Lifesong,” the band’s sophomore release, has earned gold certification by the Recording Industry Association of America for selling more than 500,000 copies.

The band earned its first Grammy nomination for best pop/contemporary gospel album last month by the National Academy of Recording Arts and Sciences for “Lifesong,” which debuted at No. 9 on Billboard’s Top 200 Albums Chart, one of only two Christian artists to break the top 10 on the Billboard Chart in 10 years.

The band was also recently nominated for favorite artist in the contemporary inspirational category at the 33rd American Music Awards last month, and was featured in the Sept. 26, 2005, issue of Rolling Stone magazine.

“Lifesong” continues in the same vein as Casting Crowns self-titled debut album two years ago, bringing focus to topics the band feels aren’t being talked about enough.

“I think people are willing to listen to the hard truth if you’re being transparent about your own life, your own struggles with doubt and fear and failure,” said lead singer and songwriter Mark Hall. “These songs, like all the songs I write, are simply about where we all live.”

By Katie Fish

Christian music CDs in a suburban Virginia Wal-Mart

Looking at row after row of Christian music CDs in a suburban Virginia Wal-Mart, Clint Clifton glimpses the seeds of something grand — a golden period for Christian artists that could rival 12th-century France or 15th-century England.

The Christian selections fill about one-eighth of the mega-store’s music department. Having spent three years promoting and training young Christian musicians, Clifton smiles; he is living in a boom time.

But Clifton, 26, sees other things on the wire shelves, too. He picks up a CD by the teenage band Jump 5 and tsks. The group doesn’t write most of its songs, and Clifton suspects that it began as a moneymaking “concept” in a music company’s marketing department, not as a divinely inspired prayer, as Christian music should.

He flips over a top-selling CD and marvels at the name of the label: Time-Life.

“Seeing Time-Life on a Christian CD is still pretty weird,” says Clifton, who lives in Stafford, Va., and is pastor at Pillar Church in Dumfries, Va. “It’s a good thing as a whole, but I don’t necessarily think being bigger is always a good thing. It’s a fine line.”

For musicians of what’s broadly called “contemporary Christian” — a category that includes pop, folk and hard rock — these are heady times. Sales have increased 80 percent since 1995, according to the Gospel Music Association. The growth has prompted Christian musicians who in the past would have been happy just to sing at their own church to venture into a landscape of major record labels, thriving Christian radio stations and music publishers capable of sending songs to megachurches from Los Angeles to Orlando.

But many of these artists find built-in conflicts. How do you focus on what sells without selling out that original listener, God? How do you make sure the music remains a vehicle for praising God and not the singer?

“Sometimes I’m singing and performing and 10 minutes go by and I realize: I haven’t thought about the God I’m talking about,” says Chris Joyner, 31, a Fairfax, Va., pastor and musician who has put out three CDs. “I might be thinking about: How does the music sound? What’s going on outside? How does this look?

“I know I have pride, I have selfishness. And it’s then I say, ‘Jesus, teach me ways to root it out. Keep me humble.’ ”

A fine line

When contemporary Christian music took off in the 1990s, some artists feared that the purchase of independent religious labels by such mainstream companies as the EMI Group and Sony BMG Music Entertainment would result in secularized lyrics. Industry experts say that hasn’t happened. In fact, the most prominent trend in contemporary Christian music is “praise and worship,” a style of songwriting in which the lyrics are overtly pious, and the singer talks directly to God.

But regardless of whether God is mentioned, nascent Christian songwriters say the popularity of Christian music has created pressure to follow certain formulas and conventions. That, along with the widening prospects of celebrity, has blurred the lines between faith and business.

Feelings of ambivalence are on display at the songwriting workshop run by Clifton’s Stafford-based company, God-Song. Lecturers at the sessions emphasize to participants that they should not use earthly standards to judge whether they are “making it” in their musical career.

“The fact that you are using your God-given talents to communicate God’s message to the churched and unchurched is, in God’s eyes, the true sign of ‘making it,’ ” Randy Motz regularly tells participants who hear his “Declaration of Independence” speech. “Be satisfied with always being an independent artist; a major-label deal is a bonus,” Motz, a producer who has lectured at the workshops, says in the speech.

Clifton advises participants not to get too specific about religious doctrine in their lyrics, even as he worries that the industry might be trying too hard to be nonconfrontational.

“There are many types of churches, and how they interpret the Bible is different. Like, for example, we don’t want to put out a song that all Baptists will hate,” he says in an interview. “I don’t think you’d see someone do a cover about abortion, because 10 percent of Christians believe in choice.”

With lyrics that speak directly to God, praise and worship music is suited to being sung by congregations during worship services, and several industry experts say that helps explain why it is so popular and marketable. Services at large, nondenominational churches have become increasingly multimedia, and performing a song in that setting — or simply having it played there — can be as financially lucrative as being booked at a popular nightclub.

“Churches are the new radio,” says John Styll, president of the Gospel Music Association, which represents all Christian music styles. “You have a kind of music here that engages tens of millions of people every Sunday.”
Michelle Boorstein | The Washington Post

Sheet music for Christian songs

Popularity of Christian Music on the Rise

(openPR) - Sheet music for Christian songs is becoming easier to obtain as the popularity of Christian music continues to rise. Many people use sheet music for Christian songs for various purposes. With the internet, you are no longer limited to buying sheet music at a local music store, nor are you limited to songs that already slipped from popularity. Sheet music for Christian songs is available in several different forms, and therefore used by different people. For example, many individuals use sheet music for their instrument or voice for their own personal worship, or to share as a soloist at their church. In another respect, a choir director or worship leader may use sheet music for Christian songs that covers various instruments and vocal ranges.

Whatever song or type of music you are looking for, you will probably find sheet music for Christian songs online, if not at your local music store. While your local music store may carry a great selection, often the internet had the best selection, especially of the newest Christian music. Internet search engines will also help you to find even those difficult to locate songs, whether older or hot off the contemporary Christian charts. Furthermore, you can find sheet music for Christian songs in many different styles of music. For example, there is sheet music for Christmas, gospel, contemporary and every style in between. There is sheet music for jazzy instrumentals to fill your service prelude or postlude needs. Sheet music for Christian songs is even available for your individual or worship teams or choir needs.

Websites sites may offer different options for ordering sheet music for Christian songs. Some websites are set up to let you hear the song before you order the sheet music. Many sites allow you to order individual songs, while some websites may also offer books of songs by a particular artist or company. Much of the sheet music for Christian songs is downloadable, provided you can use a credit card to pay for your selections. Most individual songs will be under three dollars. Keep in mind that sheet music for Christian songs needs to be used in accordance with the copyright laws that protect it. Most sheet music is available only for individual or church use. If your church is in agreement with Christian Copyright Licensing International, the license for reproducing lyrics and music, you must report your use of the sheet music

www.1-christian-music.com

Contemporary Christian musicians

Christian music at the crossroads - Contemporary Christian musicians see a fine line between success and self-promotion

Looking at row after row of Christian music CDs in the Fredericksburg, Wal-Mart, Clint Clifton glimpses the seeds of something grand - a golden period for Christian artists that could rival 12th-century France or 15th-century England.

The Christian selections fill about one-eighth of the megastore’s music department. Having spent the past three years promoting and training young Christian musicians, Clifton can’t help but smile; he is living in a boom time.

But the goateed 26-year-old sees other things on the wire shelves, too. He picks up a CD by the teen-age band Jump 5 and tsks. The group doesn’t write most of its songs, and Clifton suspects that it began as a moneymaking “concept” in a music company’s marketing department, not as a divinely inspired prayer, as Christian music should.

He flips over a top-selling CD and marvels at the name of the label: Time-Life.

“Seeing Time-Life on a Christian CD is still pretty weird,” said Clifton, who lives in Stafford and is pastor at Pillar Church in Dumfries. “It’s a good thing as a whole, but I don’t necessarily think being bigger is always a good thing. It’s a fine line.”

For musicians of what’s broadly called

“contemporary Christian” - a category that includes pop, folk and hard rock - these are heady times. Sales have increased 80 percent since 1995, according to the Gospel Music Association. The growth has prompted Christian musicians who in the past would have been happy just to sing at their own church to venture into a landscape of major record labels, thriving Christian radio stations and music publishers capable of sending songs to megachurches from Los Angeles to Orlando.

But many of these artists find built-in conflicts. How do you focus on what sells without selling out that original listener, God? How do you make sure the music remains a vehicle for praising God and not the singer?

“Sometimes I’m singing and performing and 10 minutes go by and I realize: I haven’t thought about the God I’m talking about,” said Chris Joyner, 31, a Fairfax pastor and musician who has put out three CDs. “I might be thinking about: How does the music sound? What’s going on outside? How does this look?

“I know I have pride, I have selfishness. And it’s then I say: ‘Jesus, teach me ways to root it out. Keep me humble.’”

When contemporary Christian music took off in the 1990s, some artists feared that the purchase of independent religious labels by such mainstream companies as the EMI Group and Sony BMG Music Entertainment would result in secularized lyrics. Industry experts say that hasn’t happened. In fact, the most prominent trend in contemporary Christian music is “praise and worship,” a style of songwriting in which the lyrics are overtly pious and the singer talks directly to God.

But regardless of whether God is mentioned, nascent Christian songwriters say the popularity of Christian music has created pressure to follow certain formulas and conventions. That, along with the widening prospects of celebrity, has blurred the lines between faith and business.

Feelings of ambivalence are on display at the songwriting workshop run by Clifton’s Stafford-based company, God-Song. Lecturers at the sessions emphasize to participants that they should not use earthly standards to judge whether they are “making it” in their musical career.

“The fact that you are using your God-given talents to communicate God’s message to the churched and unchurched is, in God’s eyes, the true sign of ‘making it,’” producer Randy Motz regularly tells participants. “Be satisfied with always being an independent artist; a major-label deal is a bonus.”

But Clifton also advises participants not to get too specific about religious doctrine in their lyrics, even as he worries that the industry might be trying too hard to be nonconfrontational.

“There are many types of churches, and how they interpret the Bible is different,” he said in an interview. “I don’t think you’d see someone do a cover about abortion, because 10 percent of Christians believe in choice.”

Rebekah McLeod, 32, said she feels the tension between the commercial and spiritual aspects of her art every day. She wrote music for the first time in 2002, when family pressures sent her into deep, intense prayer. “I was spending a lot of time with God, getting to know Him in a new way,” said McLeod, who lives in Germantown, Md., with her husband and three children.

These days, she prays for a sense of what God wants her to do next: Should she try to join a major label? Should she get a radio promoter? If she becomes commercially successful, would she feel pressure to make deadlines and crank out songs that didn’t “necessarily glorify God, but were just trying to meet a goal?” McLeod said she is turned off by a lot of the new Christian songs she hears, songs she believes reflect an emotion-oriented and self-absorbed U.S. culture.

“I think we’re seeing a lot of empty music and empty lyrics,” she said. “A lot of what I hear on mainstream Christian radio sounds like garbage; I’m not being ministered by it.”

With lyrics that speak directly to God, praise-and-worship music lends itself to being sung by congregations during worship services, and several industry experts say that helps explain why it is so popular and marketable. Services at large, nondenominational churches have become increasingly multimedia, and performing a song in that setting - or simply having it played there - can be as financially lucrative as being booked at a popular nightclub.

“Churches are the new radio,” said John Styll, president of the Gospel Music Association, which represents all Christian music styles. “You have a kind of music here that engages tens of millions of people every Sunday.”
BY MICHELLE BOORSTEIN/THE WASHINGTON POST

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